Could there possibly be anything better than the vehicular insanity of 1977’s The Car? I think not. James Brolin (complete with 70’s porn stache) plays the sheriff of a southwestern town that’s being terrorized by a car from hell. No, the driver isn’t a manic. No, the car isn’t possessed. It’s literally a customized Lincoln from hell that can stop killing 70’s era character actors. Borrowing liberally from Jaws (1975) and The Exorcist (1973), The Car is a laugh riot from start to finish. Even the moments that are car-free are hilarious thanks to the screen-time spent on the melodramatic lives of the small towns citizens.
Could there possibly be anything better than the vehicular insanity of 1977’s The Car? I think not. James Brolin (complete with 70’s porn stache) plays the sheriff of a southwestern town that’s being terrorized by a car from hell. No, the driver isn’t a manic. No, the car isn’t possessed. It’s literally a customized Lincoln from hell that can stop killing 70’s era character actors. Borrowing liberally from Jaws (1975) and The Exorcist (1973), The Car is a laugh riot from start to finish. Even the moments that are car-free are hilarious thanks to the screen-time spent on the melodramatic lives of the small towns citizens.
Even if you’ve never seen The Stepford Wives (1975), you probably understand that the name embodies a type of eerie perfectionism. It’s become part of the pop culture vernacular, a testament to the lasting impression The Stepford Wives has left on the American psyche. With a story that relies heavily on the battle between the sexes, The Stepford Wives is a cult classic that serves as a time capsule of 1970’s fashion and feminism. Read Article
Could there possibly be anything better than the vehicular insanity of 1977’s The Car? I think not. James Brolin (complete with 70’s porn stache) plays the sheriff of a southwestern town that’s being terrorized by a car from hell. No, the driver isn’t a manic. No, the car isn’t possessed. It’s literally a customized Lincoln from hell that can stop killing 70’s era character actors. Borrowing liberally from Jaws (1975) and The Exorcist (1973), The Car is a laugh riot from start to finish. Even the moments that are car-free are hilarious thanks to the screen-time spent on the melodramatic lives of the small towns citizens.
