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As
a sweaty Joan Collins writhes and moans during a particularly difficult
childbirth, doctor Donald Pleasence comments to a nurse that, "This
one doesn't want to be born." When you have Donald Pleasence
for an obstetrician, you know you're in big trouble. The Devil
Within Her (1975, also know as I Don't Want to Be Born) is a
wonderfully wacky mish-mash of ideas liberally borrowed from other,
more successful horror movies like Rosemary's Baby (1968)
and The Exorcist (1973).
When
proud father Gino Carlesi (Ralph Bates) visits his wife Lucy (a
pre-Dynasty Joan Collins) in the hospital, he finds her with
bloody scratches on her cheek courtesy of their newborn son. "Maybe
she was cuddling it too tightly," Dr. Finch (Pleasence) explains,
"Even at this age, babies have an extraordinary instinct for
survival." The uneasy couple brings their son home and they
are greeted by efficient housekeeper Mrs. Hyde.
Gino's
has a sister who is, in fact, a sister. A nun that is. Sister Albana
(Eileen Atkins) has come all the way from Italy for a visit. Gino
greets his sister with a welcoming cascade of Italian endearments.
"We are only going to speak English." She insists. English,
that is, with really bad Italian accents. Why talented British born
actors like Bates and Atkins are forced to adopt such crazy accents
is anybody's guess. This is just one of he many instances where
The Devil Within Her sabotages itself with odd production choices
and absurd plot devices. Really, would an Old World Italian Catholic
nun (with a bad accent) be any better suited for an exorcism than
a Sister from the UK?
Lucy
is paid a visit by glamorous pal Mandy, played by an oddly dubbed
Caroline Munro, whose crazy cockney accent would sound right at
home in a dinner theatre production of My Fair Lady. An unearthly
ruckus from upstairs interrupts their girl talk. They find that
the nursery has practically been demolished. Baby Nicholas lies
quietly in his crib, a dolls decapitated head in his little arms.
"He frightens me," Lucy admits, "He's been like that
since he was born."
In
flashback we learn that Lucy used to be a nightclub dancer. With
hilariously detailed narration, she recounts the beginnings of her
woes. Her specialty was a number where she danced with a dwarf named
Hercules. One night in her dressing room, her pint-sized dance partner
pays her a visit. "I felt awkward," she tells Mandy, "but
I didn't want to upset him, I knew how sensitive he was. I felt
his hand on my neck. I tried to pretend it wasn't happening. Maybe
for an instant I was fascinated. It felt unreal."
She
rejects him and he is humiliated. As Lucy leaves the club, Hercules
shouts his curse, "You will have a baby
a monster, an
evil monster conceived inside your womb. As big as I am small and
possessed by the devil himself!" It's not weird, or scary,
or creepy. It's just one of the many moments in this supernatural
thriller that elicit giggles instead of terrified screams.
When
Sister Albana comes to visit the baby, she witnesses a violent feeding.
"He spat at me!" Lucy cries, "He hates me!"
In Albana's presence, baby Nicholas shrieks and when placed in the
arms of a priest at his christening, he goes into convulsions.
After
employing the help of a full-time nurse, Gino and Lucy go out for
a romantic evening. When they get home, they find the nurse was
nearly drowned while giving the baby his bath. A little hand pulled
her head into the bathwater. As Lucy puts the child to bed, it's
not the baby's face that she sees, but the evil visage of Hercules!
While
sharing a cup of tea with her friend, Lucy frets over her newborn,
"How can I tell the doctor I think the baby is possessed by
a devil?" Dr. Finch suggests some genetic tests to help determine
what's wrong with the baby. While the nurse is taking Nicholas for
a stroll in the park, a tiny hand pushes her into the lake.
Albana
discusses the problem child with her brother, "Lucy believes
he is possessed
by the day-vil." Unsure whether
Lucy is imagining things or if something truly is wrong, she asks
Gino, "When did you last pray?" Their whispered prayers
elicit tortured screams from the baby upstairs.
The
next day, Lucy steps out while the beleagured Mrs. Hyde finds a
dead mouse in her cup of tea. Sister Albana consults with Dr. Finch
in a laughably philosophical discussion of religion, science, and
the supernatural. The doctor takes her theory of possession in stride
and agrees to hospitalize the baby for observation while Gino takes
Lucy on holiday.
Lucy
goes to see her old employer. Tommy, the slimy strip club owner
is played by John Steiner, who was also a memorable villain in the
Italian films Yor, The Hunter From the Future (1983) and
Sinbad of the Seven Seas (1989). While auditioning a group
of forgettable dancers for his topless revue, Tommy invites Lucy
to rejoin the troupe. "I was lousy most of the time."
she admits. It's valid assessment considering the fact that she
never stripped in her old act. The scene injects some hardcore T&A
into what has so far been a PG state of affairs.
She
explains that he might be the daddy of her devil child, "Just
'cause you've got some freaky offspring you wanna pin it on me.
What'd you expect me to do, fire Hercules and put your kid in my
show?" In a moment that foreshadows her future employment on
Dynasty, she calls him a bastard and dramatically slaps him. This
piques Tommy's interest, "I wanna see this spooky baby of yours."
At
the apartment, when Tommy leans in close to see if there is a family
resemblance, baby Nicholas gives him a bloody nose. This amuses
Lucy and, for the first time, looks at her child with affection.
That is, until he face of Hercules appears in the crib.
Gino
comes home from the office with all the makings for a romantic evening
with his wife. They finish off the night by making love in a scene
filled with soft-core close-ups and saxophone accompaniment. When
Gino checks on the baby and finds the nursery empty and the window
open, he goes outside to investigate some eerie giggling. When he
looks up into some braches, a noose slips around his neck and he
is soon dangling from a tree. His body is disposed of in the storage
cubicle underneath the patio.
Lucy
searches London for her missing husband but cannot find Gino anywhere.
That night the doctor pays a visit to check on the troublesome child
and it's frenzied mother. "I'm frightened to be in the same
house with him." Lucy admits. After giving her a sedative,
Dr. Finch hears that same creepy laugh and goes to investigate.
In the backyard he is decapitated with several whacks from a garden
shovel.
In
a doped up haze, Lucy stumbles through the house. Her nightmare
becomes all too real when she is attacked by the possessive spirit
of Hercules. "I'm your mother, you can' hurt me!" she
cries as she barricades her bedroom door against her child's murderous
attack. "I know why you hate me. You didn't want to be born!"
Lucy pleads, but it is no use and she is stabbed trough the heart.
In
a final showdown, Albana confronts the devil child. Reading from
an ancient text, she begins the exorcism while the infant screams
and the crib shakes. Baby Nicholas tears at her vestments, but with
crucifix in hand, she carries on. On the other side of London, Hercules
doubles over in agony while performing onstage with the girls at
the nightclub.
The
child leaps from the crib as the nursery shakes. Repeating the sacred
Latin text, Albana touches the cross to the baby's forehead. Hercules
stumbles and falters while the showgirls continue to dance around
him. Apparently the show must go on, even if you're a stripper.
When Sister Albana is finished, Nicholas gurgles and coos like a
happy baby while Hercules, that diminutive practitioner of black
magic, drops dead in front of a stunned audience.
When
you're dealing with a murderous, possessed infant, there's a very
fine line between a story that is terrifying and a story that is
terribly silly. The cast seems to be trying their best, but their
efforts are wasted in the type of movie where a grown man is punched
in the nose by a baby. If The Devil Within Her had a Z-grade
budget and second rate actors it would have been an amusing piece
of genre junk. What makes it truly exceptional is the fact that
this appears to be a serious attempt at a suspenseful horror film.
Aside
from its unintentional laughs, The Devil Within Her leaves many
questions unanswered. Why does Joan Collins remain clothed during
her strip routine only to (briefly) appear nude in a love scene
later on? The beautiful Caroline Munro is best known for her shapely
figure. Why cast her (in a part that's inconsequential at best)
if you're not going to exploit those assets? Where exactly did Hercules
get his powers? Is he evil or just a bitter little man? Is he the
devil? Why did he die after the exorcism? How does a nun (who is
a research scientist) know how to perform exorcisms?
With
demonic dwarves, possessed infants and some of the ugliest (but
groovy) production design of the 70's, Joan Collins might feel that
The Devil Within Her is better left forgotten. CCT considers
it unforgettable.

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