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Monkey
movies were very big in the 70's, but in 1976 they became HUGE when
producer Dino De Laurentiis brought his remake of King Kong
to the big screen.
During
rough seas, Petrox Explorer sets sail for a mysterious island that
might be home to one of the largest oil fields in the South Pacific.
On board are Charles Grodin as the smarmy oil-company exec and Jeff
Bridges as the hippy amateur photographer and monkey expert. Along
the way they encounter Dwan ("like Dawn except that I switched
two letters"), a woman adrift in a life raft and a self described
"
all-American girl saved from an exploding yacht by Deep
Throat". She's played by Jessica Lange in her screen debut.
After her ordeal Dwan would understandably be a little shook up,
but Lange's breathy dumb blond performance seems more stoned than
stunned. Regardless, she soon charms all the sailors. Cue the life
on-board ship montage and cue John Barry's love theme. Despite the
romantic mood, Lange is simply cordial to Bridges, her human
love-interest in the movie.
They
quickly forget about the oil when they discover that the island
is inhabited by natives who worship a great big gorilla. "Kong,
Kong, Kong" they chant. Apparently
blondes make the best sacrifices. The natives kidnap Lange, dress
her in a lovely wedding gown (with matching pooka shell headdress),
and tie her to an alter where she awaits her over-sized simian husband-to-be.
The
ceremony goes as well as you might expect. Terrified that her groom
is going to eat her, Lange shouts, "You god damn chauvinist-pig
ape! Choke on me!" Kong, as you might guess, is justifiably
angry when he hears this so, Lange tries a different approach. "I'm
a Libra, what sign are you?"
Soon
Bridges is off searching the rugged island terrain. "If he's
not gonna eat her," a fellow crewman asks, "why did he
take her?"
To
give her a bath of course. Kong takes Lange to a waterfall for a
post-honeymoon rinse, all the while making goo-goo eyes at her.
Cue that crazy Love theme again as Lange sits in Kong's big hairy
hand and he blows her dry. It seems some hot monkey breath was all
Lange needed. She writhes and moans, stopping short of screaming
out Kong's name.
Later,
in the romantic island moonlight, Kong slowly begins to undress
Lange. It seems he has every intention of consummating their marriage.
But it is not to be. Our lovely couple is attacked by possibly the
largest rubber snake to ever appear in a Hollywood movie. While
Kong defends his bride in a battle royale, Bridges rescues Lange
from her paramour's gigantic affection. After dispatching with the
snake, Kong returns to the native village, is captured and then
shipped off to the states. In New York City, Petrox unveils its
new spokes monkey in an outdoor extravaganza. Kong, whose cage is
shrouded in a slipcover resembling a Petrox gas pump, is wheeled
out and put on display.
A
special note for pause button enthusiasts: When Kong is in close-up,
the camera flashes from the reporters reveal the roof of the soundstage
on which the scene was shot.
When
the reporters get too close to his lady love, Kong breaks free.
Lange and Bridges escape the pandemonium, but Kong ain't gonna give
up that easy.
Kong
swims the East river, makes his way into Manhattan, finds Lange
and takes her to the one tourist destination that reminds him most
of home, the World Trade Center.
It's not long before a squadron of helicopters is spraying him with
bullets, sending Kong toppling from the twin towers to his doom.
We assume he's dead, but producer De Laurentiis would return a decade
later with King Kong Lives (1986).
Carlo
Rambaldi, best known for designing and building E.T., is given the
special effects credit for creating Kong. The giant hand that was
built is seen in nearly every scene featuring Jessica Lange, but
the life-size mechanical Kong looked so ridiculous that it is only
seen for a few seconds in the location shots where Kong is unveiled
in New York.
Rick
Baker, credited with make-up effects, is the real wizard behind
Kong.Most of the footage we see of Kong is Baker performing inside
the make-up that he designed. Baker would go on to perfect his monkey
mask techniques in movies like Greystoke (1984), Gorillas
in the Mist (1998), and the remake of Planet of the Apes
(2001).
At
the time of the films release the "suit-mation" technique
used in the production was generally regarded as low-tech. Seeing
Kong tromp through miniature island sets brings to mind the campy
exploits of his rubber-suited cousin from Japan, Godzilla. So why
would the producers, who were seriously attempting to update a classic
film, choose to go with a guy in a monkey suit?
Hollywood
special effects simply hadn't changed much in the forty years that
separated the original King Kong and this remake. The giant
hand that holds Jessica Lange is remarkably similar to the one that
held Fay Wray in 1933. Any true advances wouldn't come until 1977,
a year after Kong's release, when George Lucas unleashed Star
Wars upon the world.
They
could have hired effects wizard Ray Harryhausen and used stop-motion
animation like the original. Considered by many to be the world's
expert on the technique, Harryhausen even worked with Willis O'Brien
(the man who brought the original Kong to life) on another monkey
movie classic Mighty Joe Young (1949). Unfortunately he was
busy finishing Sinbad and the Eye of the Tiger (1977). Also,
stop-motion animation is a time consuming process, if they had decided
to go that route it would have added considerable time and cost
to post-production. It
seems producer De Laurentiis made the best decision under the circumstances.
The
DVD is slim on extra features, the original theatrical trailer is
about it, but the widescreen transfer and sound are quite good.
An
extended version of the movie does exist. When King Kong
made its network television premiere, forty-five minutes of extended
and deleted scenes were added. How about it Paramount
a special
edition DVD?

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