|


Satanic
cults, the energy crisis and roller disco were all part of the national
consciousness in the 1970's. Let's also not forget the panic over
the impending arrival of killer bees from South America. It seems
silly in retrospect, but The Swarm (1978) exploited a genuine
fear of the time.
After
a missle base is mysteriously attacked, General Richard Widmark
and Major Bradford Dillman encounter the only person left alive
in the facility, entomologist Michael Caine. Honoring cinematic
conventions, the scientist and military General instantly mistrust
one another. Director Irwin Allen, an expert at action sequences,
seems to give his cast free reign in their acting choices. Consequently,
this is just the first of many moments where Widmark and Caine engaging
in an over the top shouting match.
Katherine
Ross, playing the worst military doctor in history, corroborates
Caine's story that the base was attacked by a swarm of African killer
bees. Two military choppers (well, helicopter models) are soon brought
down by the same swarm that attacked the base.
In
the pastoral countryside, a stunt couple and their son set up a
picnic lunch while a bee watches them closely. Really. There's even
a shot of the bee's segmented point of view. Paul watches from the
safety of the family car as his parents are covered by the killer
insects. Barely escaping and delirious from a bee sting, Paul crashes
the family car in the town square of nearby Marysville, where the
local citizenry are preparing for the annual flower festival. An
inordinate amount of time is spent setting up the love triangle
between retiree Ben Johnson, school marm Olivia de Havilland and
Mayor Fred MacMurray. Paul is taken to the hospital where, as if
on a bad acid trip, he hallucinates about giant bees.
Caine
begins to round up his scientific team, "The war that I've
always talked about has finally started." When a wheelchair
bound Henry Fonda confirms his worst fears, even Caine finds it
hard to believe, "I never thought I'd see the final face-off
in my lifetime. And I never dreamed that it would turn out to be
the bees. They've always been our friends."
At
the gates of the missile base Widmark must confront angry hick Slim
Pickens, who demands to see his son. Pickens weeps over the body
of his dead son. The scene manages to be somewhat touching, but
quickly turns ridiculous when the bleary eyed yokel picks up the
body bag with every intention of carrying it home. Incredibly, Widmark
lets him walk out the door with it.
In
another shouting match between Widmark and Caine, Widmark bellows
about airdropping poison on the swarm. The fight ends with Caine
screaming about the ecological ramifications of such a plan. In
this round of scenery-chewing it's Caine 1, Widmark 0.
Recovered
from his earlier bee attack, Paul goes out looking for the swarm.
He and his two friends succeed where the military search operation
has failed. They find the swarm and firebomb the hive, but only
manage to anger the bees. The swarm heads for Marysville.
Sleazy
reporter Lee Grant watches from the safety of her news van as the
bees attack helpless townspeople. The camera grotesquely lingers
on a group of schoolchildren as they are stung to death in the school
yard. But try to suppress your laughter as de Havilland watches
her dying students through a bee covered window and acts, acts,
acts. All in slow motion. "Nooooooo!" she cries.
Caine
and Ross take cover with pregnant waitress Patty Duke in the local
diner. Ross is stung on the neck and soon she's all sweaty, glassy-eyed
and hallucinating giant bees. After the incident, Widmark suggests
evacuating Marysville in order to spare its inhabitants from another
attack by the vengeful bees. "I always credit my enemy, no
matter what he may be, with equal intelligence."
Before
she can board the evacuation train, Duke (of course) goes into labor.
As the train gets under way, de Havilland has a premonition, "I
got a sudden feeling I'll never see Marysville again
I can't
shake this feeling that something is closing in on all of us."
This is of course an open invitation for the bees to attack, which
they obligingly do. The train careens out of control and jumps the
track. Johnson and MacMurray (well, their stuntmen) get tossed out
the window as the train tumbles down a cliff and blows up.
Duke
gives birth and, mere moments after delivery, flirts with Doctor
Alejandro Ray. "I guess it's true what they say
that a
woman sort of falls in love with her doctor at this time."
The
swarm, now an unstoppable force, is headed straight for Houston.
Caine attempts to drop eco-friendly poison on the bees. He reports
back to headquarters that
"They're not touching the pellets.
They seem to sense that it's something that will kill them."
Ross
displays her bedside manner when young Paul relapses and dies. She
makes no attempt to save him, but ineffectually calls another doctor
for help. In her own stiff and halting style Ross lashes out at
Caine with a tried and true "angry at God" speech. "Why
this one?" she cries, "In the whole damned world, why
this boy? My God, Brad. What good is all that science? All that
equipment at the base? All those doctors? What good are you?!"
Proving
that Hollywood legends are just as capable at hamming it up, Fonda
self injects his experimental bee venom antidote and vividly dictates
the results as they occur. Ross joins Fonda after what appears to
be a successful trial run, but he quickly relapses. Once again Ross
upholds her Hippocratic Oath by running to get help. Even though
Fonda is obviously stone cold dead, Ross administers oxygen, as
if it might help. Where did this woman receive her license to practice
medicine? M.D.'s "R" Us?
A
nuclear power plant is directly in the path of the oncoming swarm.
Richard Chamberlain tries to convince Jose Ferrer to shut down the
facility. "The odds against anything going wrong are astronomical."
Ferrer insists.
"Is
there any provision against an attack by killer bees?" Chamberlain
asks. Before Ferrer can answer, the alarm sounds, the bees attack
and the plant inexplicably blows up!
Our
scientific team gathers at the new command center in Houston. As
the bees blanket the city, the military sets Houston (in reality,
only a small portion of the Warner Bros. back lot) ablaze with flamethrowers.
While
Ross gives Caine a backrub, she relapses from her earlier bee sting
and is soon picturing giant bees outside her door. With Houston
burning outside his window, Widmark wonders, "Will history
blame me or the bees?"
After
analyzing tapes from the military base attack, Caine realizes than
a systems test may have caused the problem. Widmark finds this hard
to believe, "Then you're saying our alarm system attracted
the bees into the complex."
"We'll
use this very sound to pull them out of Houston." But before
Caine can initiate his plan, the swarm invades headquarters. Widmark,
brandishing a flamethrower, helps clear the way for Caine and Ross
to escape.
As
tankers flood the Gulf of Mexico with oil, sonically outfitted helicopters
lead the bees, pied-piper style, out to sea. Ross and Caine watch
from shore as the gulf is set ablaze and the swarm is destroyed.
"Did
we finally beat them," Ross questions, "Or is this a temporary
victory?"
Caine
gets philosophical when he answers, "I don't know, but we did
gain time. If we use it wisely and if we're lucky, the world might
just survive."
In
case you hadn't laughed enough already, this disclaimer appears
in the end credits.
The
African killer bee portrayed in this film bears absolutely no relationship
to the industrious, hard-working American honey bee to which we
are indebted for pollinating vital crops that feed our nation.
What
exactly were the producers trying to prevent? A series of honey
bee hate crimes or a backlash from supporters of the honey-nut Cheerios
bee?
The
Swarm DVD is nicely presented in its widescreen format with
crisp, bright hues that bring to mind the colorful campy atmosphere
of Allen's television work. A trailer is included along with the
vintage featurette Inside the Swarm, which contains some
nice behind the scenes footage of the more memorable action sequences.
With
its utter disregard for believability and scientific fact (a thesis
could be written on the countless errors) and an all-star cast that
takes every opportunity to chew the scenery, The Swarm is
one of the zaniest disaster movies to spring from the fertile mind
of producer/director Irwin Allen.

|